The Front & Center Galleries at MAC

 

February 21 – March 29, 2025

  Katsuyuki Shibata: nature photography

 Julie Johnson: plant-based fiber art

 Reception: Saturday, March 1 from 1-3 p.m.

 Artist talk: Saturday, March 29 at 1 p.m.

Katsuyuki Shibata creates many of his photographs during his backpacking treks through the alpine regions of the Cascade Range. “The beauty that I find in nature and wildlife is what drives my passion,” he says. He is very intentional with how he creates this work – emphasizing a holistic experience rather than what he calls the “drive-stop-capture” approach. He applies this intentionality to how he shares the work as well, eschewing the use of social media and focusing instead on the tangibility of photographic prints.  

Julie Johnson is a plant-based fiber artist. Her eloquently sculptural baskets and abstract forms are made out of materials that she harvests sustainably throughout the Pacific Northwest. She, too, approaches her relationship with the natural world with intentionality. “All plants are respectfully harvested with permission, and the source location is recorded for each piece,” she says. Some of these plants and fungi she also uses as dyes. Her current work is inspired by movement and incorporates elements of ritual and sound.

2025 Exhibition Calendar

 Menka Desai – works on paper
 Studio Art Quilts Associates (SAQA) Oregon – “Biophilia: Threads of Natural Wonder”
 January 10 – February 15, 2025
 Reception: Saturday, January 18, 1-3 p.m.

 Katsuyuki Shibata – nature photography
 Julie Johnson  – plant-based fiber art
 February 21 – March 29, 2025
 Reception: Saturday, March 1, 1-3 p.m.
 Artist talk: Saturday, March 29, 1 p.m. in the Center Gallery

Two community exhibitions featuring work by regional LGBTQIA2S+ artists, co-curated by Pablo V. Cazares, Lux Harris and Megan Hatch.

  • “Shift Work: Queer Artists in Tectonic Times” – a group show featuring work by Zephyr Kim, Tommy Bruce, Robert Sumner, Areem Rose, and Ami Patel in the Center Gallery.
  •  “Holding Our Own: Works by Queer Ceramic Artists” – a group show in the Front Gallery.

 April 4 – May 10, 2025
 Reception: Thursday, April 10, 6-8 p.m.
 Additional events will be announced soon.

 Heidi Keith – figurative ink paintings on paper
 Jennifer Rabin – sculpture
 May 16 – June 21, 2025
 Reception: Saturday, May 31, 1-3 p.m.

 Speck Collective (Re Pinter, Molly Lecko Herro, Quinn Amacher, and Phoebe Mol) – cartoon-based arts
 June 27 – August 2, 2025
 Reception: Saturday, June 28, 1-3 p.m.

 Avery Nielsen Webb – large-scale photography
 August 8 – September 13, 2025
 Reception: Thursday, August 14, 6-8 p.m.

 Portland Zine Symposium – historical and contemporary zine art
 September 5 – October 25, 2025
 Related events: TBD

 Biennial MAC Instructors’ Exhibition – works in a variety of media
 September 19 – October 18, 2025
 Reception: Thursday, September 25, 6-8 p.m.

 Jere Grimm – a retrospective featuring ceramics, textiles and works on paper
 October 24 – November 29, 2025
 Related events: TBD

 Gili Rappaport – installation work
 December 12, 2025 – January 10, 2026
 Related events: TBD

Gallery Hours:
Monday - Thursday: 9:00am - 9:30pm
Friday & Saturday: 9:00am - 5:00pm
Sunday: Closed

The Multnomah Arts Center (MAC) Gallery opened in 1982. It serves as an educational venue for the community and a supportive environment for artists to share their work. Artists who show here are residents of Oregon and southern Washington near Portland.

Exhibiting artists are selected by a group jury process each year. The resulting shows reflect the artistic dynamism of the area, with an emphasis on the following:

  • a wide spectrum of media is shown throughout the year
  • diverse subject matter is explored
  • unique perspectives are shared
  • multidisciplinary and intersectional approaches are appreciated

As a community-based gallery, we seek to grow our collective ability to create, connect and share beauty in its many forms. Towards that end, some of the current equity practices at the Multnomah Arts Center Gallery include:

  • We embrace and encourage artists with differences in age, color, ethnicity, race, language, national origin, religion, sexual orientation, family or marital status, gender identity, political affiliation, veteran status, physical and mental ability, and socio-economic status. 
  • We show work by artists based on the merit of their work. Artists who exhibit here may not be represented by commercial galleries, or some do not have formal arts training.
  • Exhibiting artists receive 65% of any sales they make. The remaining 35% is used by our nonprofit organization, The Multnomah Arts Center Association, to support equity and access to arts education through MAC programming.
  • Community artists who are BIPOC, LGBTQIA2S+, immigrant or refugee, and/or disabled are invited to be a part of the group jury each year. Jurors receive an honorarium for their work.
  • The jury helps to identify a theme for a community exhibit each year. This group show is juried through a separate call, and the selection of work is led by the members of the community being called to participate (i.e. the Latinx PDX exhibit of 2022, which was juried by members of that community).
  • The annual Call for Artists encourages the submission of work that expands opportunities for participation by gallery visitors. This might take the form of music by a local musician playing on loop in the gallery, 3D work that is meant to be touched, or a reading by a local poet that includes sign interpretation.
  • Barriers to participation are address by a) ensuring that there is no application fee when submitting work for jurying, b) providing transparency in how decisions are made and who is making them, c) offering access to adaptive supports as needed in the application process, and d) providing translation services when requested (see below). Additionally, we recognize that matting and framing artwork for display can present a significant financial burden to artists when their work requires it and welcome the opportunity to explore possible solutions with those artists.

This year’s Call for Art curators:

Kanani Miyamoto is an artist, curator, and educator. She is originally from Honolulu, Hawai`i, and is currently living in Portland, Oregon. Kanani holds an MFA in Print Media from the Pacific Northwest College of Art, and a BFA in Art Practices from Portland State University. Her artwork has been shown nationally. As an individual of mixed heritage who identifies most with her Hawaiian and Japanese roots. she uses traditional printmaking techniques to create large-scale print installations. Important to her work as an artist is “sharing and celebrating her unique mixed background in our contemporary art world in hopes of representing her community and the beauty of intersectional identities.” Kanani is also an advocate for art education and a passionate community worker. She works at p:ear as the Art Coordinator.

Pablo V. Cazares is an artist, curator, and community organizer in Portland, Oregon. In 2022, he created the t4t Art Collective, an art group focused on giving transgender artists opportunities to show work and build resilient community. In his own art he explores memory and self-creation through the lens of his overlapping neurodivergent, mixed-race, and transgender identities. Pablo holds a BFA in Art Practice from Portland State University, as well as an associate degree in Apparel Design. He’ll be attending the Rhode Island School of Design to begin his MFA in Sculpture this fall.

For more information about MAC’s Gallery and Exhibitions, please contact us at gallery@multnomahartscenter.org.

To view our previous gallery shows, click here.

Forms:

Gallery Policies | Submission Guidelines | Acceptable Media | Gallery Map 

All shows end at 5:00pm on the final date listed